NEWS
My images have been selected for the 10th Annual Upstream People Gallery Painting, Drawing, Photography, and Print International Online Juried Art Exhibition, which will open November 1, 2008. www.UpstreamPeopleGallery.com

Visit The Log Cabin Gallery during the Here & There Exhibit to see my latest series of Infrared Images. The exhibit will be open the following dates on Fri, Sat, Sun 11 a.m. to 5 p.m.:
Oct 3,4,5, 10,11,12, 17,18,19, 24,25,26, 31. Nov 1,2.  www.thelogcabingallery.com


Visit Universal Table to read an excerpt from one of my short stories: www.universaltable.org

Visit these websites for more of my images:

www.oaklandcc.edu/womencenter/artshow.htm

www.co.summit.oh.us/executive/RWAV09-07.htm



WELCOMEYou've entered the web home of Pamela Z. Daum

email: pamelazdaum@yahoo.com




 
                                                                   ABOUT MY PHOTOGRAPHY 

  Trained in conventional photographic processes, I have chosen to specialize in Alternative methods, particularly Polaroid art techniques.

  In my Polaroid SX 70 manipulations series, each print is from an original SX 70 image that has been hand-worked. It is then giclee printed onto canvas or fine art paper. The process allows for unique, painterly results.

   With the emulsion lift method, I develop an image onto professional Polaroid film and then lift the film’s emulsion onto archival paper. Each emulsion is unique; and, the same image can produce different results with every development, adding an element of surprise and fun. One series on handmade paper I have titled Environmental Photography. They emerged from a deeply based belief in ecologically friendly practices. Many years ago I used to drive by a landfill on my way to the office. The landfill started out as your basic city dump, but over time it took the proportion of an unlovely mountain. This image has remained in my mind. The sight of it became so unbearable that I changed my route. 

  As a writer, editing is an integral part of my style. Like most writers, I edit best from a hard copy, which leaves me with much paper to recycle.

  As a photographer, I saw an opportunity to combine my passions of writing and photography in an environmentally sound method by recycling my scrap edits into photographic paper. I have used the words that didn’t survive as pulp; the words that have been published can be found overlaid across the paper’s surface, along with other found items. If you look closely, you can see the letters and words emerging through the photographic images. Words haunt me.